Subscribe and Follow by Email

Tuesday, May 9, 2017

SS 2017 Trend Must Haves

I am celebrating, or rather reflecting on two years of Soham Design. After a year of dedicated and intense exploration into zero-waste design, I have taken another year to get a grasp on what I have learned.  I often find myself revisiting some of the stronger design concepts and I love to evaluate how I could build my very own capsule wardrobe collection comprised from the designs I have explored.

Sleeveless Ruffle Top
Sleeveless Ruffle Top
I use a lot of visualization when I design. Often, when I have an idea, instead of sketching it, I immediately go to the internet to try and find it or something similar. Has it been done already? Has it been done better? This might be a cultural part of creativity now, with our incredible access to information and our ease and ability to share it.  

Short Sleeved with Wide Straps 


Short Sleeved with Wide Straps 
This is a collection of images I have found that compliment Week 41 and show a range of styles that expand upon this very simple zero-waste pattern.  These images represent examples of what is trending now for spring and summer 2017.  They are classic designs which are a must have for anyone's wardrobe, flattering on all figures and likely have been produced with minimal waste.
Short Sleeved Peasant Top
Long Sleeved with Straps
Each of the designs in these images uses a slight variation on the pattern from Week 41.  By altering the width of the bodice, the length of the sleeve or by the addition of layered ruffles or straps, these simple changes have a great impact on the aesthetic while having the ability to keep the pattern zero-waste.
Mid-Length Sleeve Peasant Top
Short Sleeved Peasant Top
I can totally get behind these styles as Eco-friendly designs and will be adding one to my personal capsule wardrobe this summer!
Long Sleeved Peasant Top

Short Sleeved Peasant Top

I am that I am.

Thursday, December 15, 2016

Ayurvastra Healing fabrics



Ayurvastra, if you haven't already heard of it, you soon will.  Also referred to as "Yoga for clothing", it is the ancient art of Indian medicine applied to fabrics, or loosely translated, healthy fabrics.  I sort of stumbled upon it in my experiments with natural dyes and my limited knowledge of Ayurvedic medicine. But it only makes sense that these two disciplines should be combined as there exists a huge range of plants that both utilize.



Very few companies are currently incorporating this philosophy of healing through fabrics into their clothing lines, but given the popularity of Yoga and the importance of natural medicine in our society today, it is only a matter of time before with see this practice popularized.  Similar to the organic food movement, there is a desire to avoid unnecessary contact with chemicals on our skin and consumers have been seeking healthy alternatives in the clothes they wear.  Ayurvastra goes one step beyond organic fibers with the addition of dyes that are medicinally beneficial in a variety of ways.




 "Research has shown a vitalizing effect as the person feels fresh and healthy. Selected herbal ingredients in the textiles have been found to cure diseases like arthritis and Hay fever, as it supplements and improves the natural function of the skin to block and resist harmful chemicals and toxins from entering the body."



This is a well practiced art in Indian culture, but the impact that it will have on the way we view clothing is enormous.  Our relationship with our clothing is changing and we are more and more aware of how its production impacts our environment. This awareness is now becoming more about the impacts on ourselves, and how clothing can be used to our benefit.  There is a vast an mostly unexplored realm of what our clothing can do for us and we are just beginning to see the potential as it buds.

I am that I am.










Wednesday, July 13, 2016

Great News!

With lots of help and encouragement of family and friends, I can proudly announce that my macrame bibs are now for sale in two locations. The Galleria in Calgary, AB and the Black Rooster Mercantile in Black Creek, B.C. both stores have a selection of my one-of-a-kind, cotton flannel, handmade bibs.


Since the completion of my one year zero-waste project I have taken small, yet terrifying steps out of my comfort zone to find my direction. Shortly after the last zero-waste project blog was posted, there were application deadlines for two local art galleries. Gratefully, without much time to talk myself out of it, I put together an application for each. It is a shift for me to consider my work as art, or as myself as an artist but part of me has always imagined creating some sort of installation.  So I came up with a display that could look like a woman's closet. Minimal and bohemian, the display is meant to draw in the passerby. Upon closer investigation the display reveals the variety of designs that can be created from one yard of fabric and with zero-waste construction.


With my applications submitted, I then had time to give to other projects. As some sort of grand gesture, my mind finally came around to figuring out how to complete the hemp baby blanket I began working on when my husband and I started dating. I also originally blogged about this blanket back in 2015 and by completing it I felt an unexpected and overwhelming sense of accomplishment!
It was almost symbolic as the squares of material were the original hemp fabric samples I received so many years ago when Soham Design created its first line of hemp yoga clothing. All these years later it seems clear that creating a line of children's clothing is a path I need to explore. Hence the construction of the baby bibs, although not hemp or zero-waste, they are quickly helping me navigate the mysteries of marketing. 



I have since heard back from one gallery and can proudly say, I received a beautiful rejection letter.   To me these comments are invaluable "know that your proposal was considered carefully; your zero-waste project is fascinating and relevant--".  I am truly humbled to be in the company of other local and Canadian artisans, whether briefly in the consideration process of a local gallery, or by sharing the shelves at a locally-crafted shop. 

I am that I am.